scottish designer geoffrey mann’s first ethnographical and biographical body of work, the second line, uses object materiality to capture the social history of new orleans. the animation uses an unscripted, unedited conversation between mann and grand marshall aaron blanks that took place on a new orleans street corner, as blanks conducted the young ‘all star brass musicians’ from the city’s treme neighborhood.
Pinned to #DesignProject 2017: http://bit.ly/2xyJQDtProducer, Editor & Designer. #duccnguyen For all inquiries, please contact: contact@duccnguyen.com
Monday, October 30, 2017
scottish designer geoffrey mann’s first ethnographical and biographical body of work, the second line, uses object materiality to capture the social history of new orleans. the animation uses an unscripted, unedited conversation between mann and grand marshall aaron blanks that took place on a new orleans street corner, as blanks conducted the young ‘all star brass musicians’ from the city’s treme neighborhood.
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