by Dries L. Verstraete For his untitled show on the upper floor of the S.M.A.K., which takes up two of the museum’s biggest exhibition halls and three smaller adjacent ones, Michael E. Smith has brought in—or rather retained—a total of only eleven sculptural works. We recognize elements that have, recently or since long, become …

by Dries L. Verstraete   For his untitled show on the upper floor of the S.M.A.K., which takes up two of the museum’s biggest exhibition halls and three smaller adjacent ones, Michael E. Smith has brought in—or rather retained—a total of only eleven sculptural works. We recognize elements that have, recently or since long, become …

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